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A Tribute to George Harrison – the Quiet Beatle

Ten years ago yesterday, George Harrison lost his battle with lung cancer at the age of 58, ending one of the most influential musical lives ever led.

Harrison gained a reputation for himself as ‘the quiet Beatle’, often preferring to leave the spotlight to his more vocal band mates. During this time, however, he was the songwriting master behind some of the most highly regarded songs of the band’s career including ‘While My Guitar Gently Weeps’, ‘Here Comes The Sun’ and the cheeky stab at the tax department who were, at the time, taxing the band 95% because they found themselves in the top earners in the country, ‘Taxman’.

‘When you think about it, the four egos, it’s amazing they did anything because they’re all very strong people,’ producer George Martin said in a BBC Radio Documentary on Harrison.

‘He got a bit fed up because his own music wasn’t recognised, by me as well, I’m guilty. I took the two geniuses and ignored the third,’ he regretfully admitted.

Harrison didn’t start out writing such hugely influential numbers though. In 1958, when the band was known as The Quarrymen, he wrote the band’s very first original song with Paul McCartney (who would later split all of his songwriting royalties with John Lennon). The song ‘In Spite Of All The Danger’ was a Buddy Holly-inspired tune with Lennon on lead vocals.

George’s solo career started before the demise of The Beatles, with his first album ‘Wonderwall Music’, recorded partially in Bombay. It was the soundtrack to a 1968 film ‘Wonderwall’, directed by Harrison himself.

In 1969 he released the experimental album ‘Electronic Sound’, which was entirely composed on the Moog synthesiser, but it was in 1970 after the split of the Beatles when he began to use his solo career as a vehicle for his pop songs releasing the first triple album ever released by a solo artist: ‘All Things Must Pass’ which features some of his most iconic solo songs, including ‘All Things Must Pass’ and ‘My Sweet Lord’.

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Posted by on November 30, 2011 in Music, News, People, Photography

 

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Turn Turn Turn – Roger McGuinn – The Byrds

Turn! Turn! Turn! (To Everything There Is a Season)

The Byrds

– words adapted from the Book of Ecclesiastes by Pete Seeger
– music by Pete Seeger

To everything – turn, turn, turn
There is a season – turn, turn, turn
And a time for every purpose under heaven

A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep

To everything – turn, turn, turn
There is a season – turn, turn, turn
And a time for every purpose under heaven

A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones
A time to gather stones together

To everything – turn, turn, turn
There is a season – turn, turn, turn
And a time for every purpose under heaven

A time of war, a time of peace
A time of love, a time of hate
A time you may embrace
A time to refrain from embracing

To everything – turn, turn, turn
There is a season – turn, turn, turn
And a time for every purpose under heaven

A time to gain, a time to lose
A time to rend, a time to sew
A time to love, a time to hate
A time of peace, I swear it’s not too late!


Photography by Gracie – © All rights reserved

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Photography by Gracie – © All rights reserved Roger McGuinn – October 27, 2008

 

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..must’ve been dreamin’..

..must’ve been dreamin’.., originally uploaded by *Gracie.

Photography by Gracie – © All rights reserved

“Bad Weather” – Poco
In ev’ry day that passes us by
I can’t help the feelin’ that you and I
We won’t get to see another day together.
Looks like bad weather.

I can see it all there in your eyes
And it comes to me as no surprise
That you don’t need me here no more.
Your feeling tells the score.

Words, they are getting
Hard for me to find.
You take me by my hand
And you’re leading me blind.

In ev’ry day that passes us by
I can’t help the feelin’ that you and I
We won’t get to see another day together.
Looks like bad weather.

Yes it does,
And I believe it’s gonna rain.

Paul Cotton

 

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My one and only date with Eddie Vedder!

For somebody who, throughout the concert, proclaimed to be an ardent defender of free speech and non-discrimination, he routinely cut off fans, as they voiced their passion for him, and he managed to ostracize a large part of the audience.  He acted as though praise was a burden and insulting, including requests by fans for certain songs.  At times I felt as though I was at a political rally, not to say I don’t share his views; however he failed to convey his point without sounding self-righteous.  Bottom line, he made the paying audience feel tense throughout, and unable to express their gratitude for his music.

Two of my favorite songs were ruined because he screwed up the lyrics.  They were very serious in tone so the mood was destroyed and the mistakes careless.  The obvious omissions were disappointing as several standards were left out.

The most disappointing part of finally getting to attend his concert was realizing a person I highly respected for his music, candor and activism, has become quite pompous, careless and arrogant, the very thing he criticizes.

I can’t say the entire performance was a disaster!  There were a few songs and times where Ed was incredible, leaving a positive impression but unfortunately, they were few and far between. Still love his unique, baritone voice but doubt the music will ever sound quite the same again.

Am I disappointed?  Yes, but I had the chance to see him perform at least once in my lifetime.  It was my first and last date with the legendary musician.

 
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Posted by on August 17, 2008 in Art, Music

 

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A date with Eddie Vedder in DC on 8-16!

Photo by Timothy Norris

Eddie Vedder on tour 8/16/08 in Washington, DC Warner Theatre

Long Nights

Society

Hard Sun

Massey Hall, Toronto – August 13, 2008
By JASON MacNEIL – Sun Media

He was in Neil’s house but in the end even “Uncle” Neil Young would have said it was a job well done.

Eddie Vedder’s first of a two-night, solo sold-out stand Tuesday evening at Toronto’s Massey Hall was an engaging, amusing and high quality 160-minute affair.

Photo by Timothy Norris

And while it perhaps didn’t carry the same historical clout as Young’s groundbreaking 1971 performance at the venue, several times Vedder tapped into that special magic only an old, intimate venue is capable of containing.

Heck, the 43-year-old singer got a standing ovation even before putting fingers to the fret board. Stating that there was “a fairly interesting evening planned so let’s get into it,” Vedder opened with a cover of Daniel Johnston’s Walking The Cow before showing his powerful pipes during Trouble, the latter causing him some trouble and resulting in a false start.

But the slight miscues or occasional stumbles to find the next lyric endeared him to fans and even critics alike. Whether it was the foot-stomping Sometimes or the swaying I Am Mine that created a large sing-along, Vedder could rarely do much wrong.

Not to say that he didn’t try to toss a few barbs at the audience, especially those shouting requests much to Vedder’s annoyance. When a lady asked him to play at her wedding during one bit of banter between songs, Vedder replied quickly and pointedly.

“Maybe you should just be thankful that you’re getting married.”

Vedder later dedicated the simple Picture In A Frame to the woman as an olive branch but playfully gave as much as he got. When one smartass asked what band he was a member of, Vedder said Stone Temple Pilots which quickly led to requests for Sour Girl and other Stone Temple Pilots hits.

Nonetheless, Vedder, who also mispronounced the name of the Elgin Theatre, spent the 26-song set delivering material from the Into The Wild film such as No Ceiling, Rise and Far Behind as well as Pearl Jam material such as Driftin’, I Am Mine and the main set closer Porch.

Photo by Timothy Norris

Throughout it all, one could sense Vedder feeling Young’s spirit hovering around the hall.

Prior to Man Of The Hour, Vedder mentioned how Neil Young and Massey Hall was sort of like Johnny Cash and Folsom Prison. “I’d much rather be here than at Folsom Prison although a few of you look like convicts,” Vedder said.

He also covered the Young (and Stephen Stills) nugget Long May You Run which Vedder said he only performed before at his mother’s birthday.

Photo by Timothy Norris

Other highlights of the night included The Beatles’ rousing You’ve Got To Hide Your Love Away that caused a loud sing-along as did Last Kiss. Vedder also showed a Dylan-esque troubadour side during Guaranteed before the blistering reworking of Phil Ochs’ Here’s To The State Of Mississippi which called out George W. Bush, Dick Cheney and the late Jerry Falwell.

After layering his own vocals for a weird but effective a cappella piece, Vedder, who recounted a story about urinating on a nearby dumpster last year during the Toronto International Film Festival instead of the exterior of Massey Hall, returned for No More and the fine Hard Sun (with support act Liam Finn and Eliza Jane Barnes helping out) to close the show.

Prior to the second encore, Vedder left the stage suggesting the crowd’s response was giving him chills or goose bumps. For much of the night, his performance was doing the same thing to the audience.

jason.macneil@sunmedia.ca

Link here

 
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Posted by on August 14, 2008 in Art, Music, People, Photography

 

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Hello in There


Photography by Gracie – © All rights reserved

Hello in There

We had an apartment in the city,
Me and Loretta liked living there.
Well, it’s been years since the kids had grown,
A life of their own left us alone.
John and Linda live in Omaha,
And Joe is somewhere on the road.
We lost Davy in the Korean war,
And I still don’t know what for, don’t matter anymore.

Ya’ know that old trees just grow stronger,
And old rivers grow wilder ev’ry day.
Old people just grow lonesome
Waiting for someone to say, “Hello in there, hello.”

Me and Loretta, we don’t talk much more,
She sits and stares through the back door screen.
And all the news just repeats itself
Like some forgotten dream that we’ve both seen.
Someday I’ll go and call up Rudy,
We worked together at the factory.
But what could I say if he asks “What’s new?”
“Nothing, what’s with you? Nothing much to do.”

Ya’ know that old trees just grow stronger,
And old rivers grow wilder ev’ry day.
Old people just grow lonesome
Waiting for someone to say, “Hello in there, hello.”

So if you’re walking down the street sometime
And spot some hollow ancient eyes,
Please don’t just pass ’em by and stare
As if you didn’t care, say, “Hello in there, hello.”

John Prine

 
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Posted by on July 30, 2008 in Art, Gracie, Music, People, Photography, Photoshop, Poetry

 

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Guaranteed – Eddie Vedder – Into the Wild


Photography by Gracie – © All rights reserved

“People who don’t dance have never listened to the music.”

Powerful lyrics!

“Guaranteed”-Eddie Vedder

On bended knee is no way to be free
Lifting up an empty cup, I ask silently
All my destinations will accept the one that’s me
So I can breathe…

Circles they grow and they swallow people whole
Half their lives they say goodnight to wives they’ll never know

A mind full of questions, and a teacher in my soul
And so it goes…

Don’t come closer or I’ll have to go
Holding me like gravity are places that pull
If ever there was someone to keep me at home
It would be you…

Everyone I come across, in cages they bought

They think of me and my wandering, but I’m never what they thought
I’ve got my indignation, but I’m pure in all my thoughts
I’m alive…

Wind in my hair, I feel part of everywhere
Underneath my being is a road that disappeared
Late at night I hear the trees, they’re singing with the dead
Overhead…

Leave it to me as I find a way to be
Consider me a satellite, forever orbiting
I knew all the rules, but the rules did not know me
Guaranteed

“Guaranteed” – Eddie Vedder

 

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